With sharp visions of life in Mexico, Venezuela, and early-’70s Quebec, the event continues to reveal a deeply interconnected world where history is ever-present
Read More
Through its mix of Indigenous artists, musicians, and technicians, the Vancouver Latin American Film Festival feature puts the common good at the centre
Read More
In documenting years of official disapproval and meddling, independent Cuban filmmakers Miguel Coyula and Lynn Cruz set out to trouble viewers of all political stripes
Read More
Opening with The Best Mother in the World, the fest features diverse titles as part of Vanguardias, Migraciones, and Mexico Today
Read More
Running September 4 to 14, celebration also includes Canada Looks South and Mexico Today series, New Directors Competition, and much more
Read More
The creative force behind Valentina or the Serenity delves into mourning through the perspective of a young girl
Read More
Quick takes on La Suprema and Outsider Girls, two energized offerings at the upcoming ode to new cinema
Read More
Opening with Colombian director Felipe Holguín Caro’s La Suprema, festival’s 22nd edition celebrates more than two decades of cutting-edge cinema
Read More
Multimedia storytelling meets live performance and film screening
Read More
Peru’s La Danza de los Mirlos, Mexico’s Love and Mathematics, and Brazil’s Rule 34
Read More
Event kicks off with Brazil’s provocative Rule 34 and closes with Pinochet-era-set Chile ‘76
Read More
Vancouver Latin American Film Festival presents local premiere of work that stars Carmen Aguirre
Read More
It Runs in the Family artfully interweaves archival photos, interviews, animation, and more, while a Mexican-Tzotzil director makes amends with his Mamá
Read More
Fest artistic director Christian Sida dives into his first film, a raucous, mezcal-fuelled “docoficción” look at a maverick artist
Read More
An indirect look at violence and narco fiction at Vancouver Latin American Film Festival
Read More
Ana Katz’s must-see The Dog Who Wouldn’t Be Quiet, and more
Read More
More than half its films are by women and nonbinary directors, with expanded series of Indigenous works
Read More