Keltie Forsyth to join Presentation House Theatre as artistic director
The artist is leaving PuSh International Performing Arts Festival after the 2025 event; Margo Kane also departs PuSh

Keltie Forsyth. Photo by Ryan Parker
LEADERSHIP CHANGES ARE afoot in the Vancouver arts community.
At the PuSh International Performing Arts Festival, director of operations Keltie Forsyth will be departing in early 2025 following the 20th-annual event, which runs from January 23 to February 9. Forsyth has accepted a new position as artistic director of Presentation House Theatre (PHT).
PHT is preparing to bid farewell to artistic director Kim Selody, who is retiring after 13 years with the organization.
Having joined PuSh in mid-2022, Forsyth is also one of the co-artistic directors of Ensemble Theatre Company. Forsyth holds a master of fine arts from the University of British Columbia and a bachelor of arts from the University of Alberta’s department of drama. She began her career in Edmonton as general manager of Workshop West Playwrights’ Theatre and co-curator of its Canoe Theatre Festival. Forsyth has worked as an arts manager, freelance director, instructor, grant writer, and associate artistic director of Pi Theatre. She has served in a number of teaching roles at UBC, including as the director of the 2018 production She Kills Monsters.
Back at PuSh, the board has announced that Margo Kane has stepped down from her role as director of Indigenous initiatives effective this past summer to focus on her work at Full Circle: First Nations Performance and with Indigenous-led organizations and artists. Kane joined the PuSh team in 2021 during what was a challenging time for the organization, according to a release. Her leadership and perspective were crucial in ensuring that PuSh moved forward in a way that responded to the needs of the community.
Full PuSh programming details will be announced on November 20.
Gail Johnson is cofounder and associate editor of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
As if haunted by centuries of hits and flops, the three figures in this Bard on the Beach comedy take jabs at the self-consciousness and shaky footing of being an actor
Lineup also includes an offering from South Korea, an adaptation of The Paper Bag Princess, and a family-friendly drag show
Poetic flourishes and strong characterizations bring compelling charge to imagined story of Shakespeare and the woman who inspired and challenged him
Comedy with Charlie Demers and Jacob Samuel and a remount of Wakey, Wakey are some of the offerings onstage before renovations and a time of internal review in 2026
More mainstage offerings include love story Gertrude & Alice, video-game-style production 2021, and solo show Danceboy
Facilitated conversations with directors take place before matinee showings of four Bard on the Beach productions this season
Core elements of this audience favourite remain in a production full of touches that feel unmistakably contemporary
Vancouver’s Neworld Theatre is producing and administering nationwide initiative in search of experienced arts writers who are IBPOC or face other barriers
This year’s event, on from August 7 to 17, also features a standup comedy show by YouTube star Manpreet Singh and all-ages dance workshops
Young cast fuels this new production of the Roald Dahl classic with over-the-top silliness and sheer song-and-dance talent
New production of Jessica B. Hill’s witty play reclaims the lost history of poet Emilia Bassano
From revealing performances to spot-on costumes and sets, this new production conjures all the atmosphere of the play’s old London home
Western Gold Theatre fundraiser features the U.K.–born Canadian artist in an intimate, informal setting
In Bard on the Beach’s new production, retro pastels and power suits map surprisingly well onto the chaos of Shakespeare’s sometimes troublesome original
Neworld Theatre in collaboration and SFU’s School for the Contemporary Arts humanizes the issue by drawing on real, lived memories of fires, floods, and heat waves
With audiences sworn to secrecy over a decades-long run, the mystery at the heart of author’s most famous whodunit endures
With modernized touches and strong performances, this adaptation renews the wit and scheming of Shakespeare’s classic comedy
Rachel Drance’s poignant performance mixes well with choreographic and design innovations in new rendition of musical at the Stanley
Sean Bayntun and Eliza De Castro sound off on bringing to life the bold characters of Charlie and the Chocolate Factory and Legally Blonde: The Musical
Kat Sandler’s Wildwoman and Axis Theatre’s Where Have All the Buffalo Gone? round out the stage offerings
The first female published poet in England interacts with Shakespeare in Jessica B. Hill’s witty, complex love story
Designer Carmen Alatorre draws on old photos, film stills, and her own pastel-hued memories for Shakespearean comedy’s retro setting
An energized live band accompanies the new rock musical, but the songs don’t always serve the storytelling
Creator of Arts Club hits like A Closer Walk With Patsy Cline, Red Rock Diner, and the Stanley-opening Swing passed away at 87
Johnna Wright directs the idyllic, Mediterranean-set Shakespeare play that revolves around two vastly different couples
Vancouver-raised performer pours her heart and soul into hit Arts Club musical about women supporting one another and the healing power of pies
Directed by Mark Chavez, a rotating cast of hilarious theatre artists act out all of the Bard’s comedies, histories, tragedies, and sonnets
Documentary-style production creates call to action by integrating lived experience of climate disaster into an innovative hybrid of theatre and journalism
The overall effect is a bit like Zoolander crashing into a circus sideshow with an apple cart full of gaudy fabric
Multimedia rink show gets its glide on when it mixes surreal imagery with innovative skating and high-flying choreography