Gateway Theatre presents Lionel Bart's Oliver! from December 12 to January 4
Broadway musical adaptation of Charles Dickens novel Oliver Twist chronicles an orphan’s search for familial love

Oliver!
Oliver!, the award-winning Broadway musical adaptation of the classic Charles Dickens novel Oliver Twist, springs to life at Gateway Theatre from December 12 to January 4.
With book, music, and lyrics by Lionel Bart, Oliver! pairs spirited songs like “Food, Glorious Food” and “Consider Yourself” with some of the most memorable characters to ever grace the stage. Join young Oliver Twist as he navigates the Victorian London underworld in search of a home, a family, and—most importantly—love.
A malnourished orphan in a workhouse, Oliver becomes the apprentice of an undertaker before escaping to find acceptance among a band of pickpockets led by the conniving Fagin. When Oliver is captured for a theft he did not commit, the benevolent victim Mr. Brownlow takes him in. But Fagin has Oliver kidnapped out of fear, threatening his chances of discovering the true love of a family.
Gateway Theatre’s production features a cast of 24 actors, including 11 kids, working together to create a musical masterpiece. Oliver! is directed by Josh Epstein with choreographer Nicol Spinola and musical director Sean Bayntun, supported by set designer Ryan Cormack, lighting designer Sophie Tang, and costume designer Donnie Tejani.
Tickets and more details are at Gateway Theatre.
Post sponsored by Gateway Theatre.
Related Articles
As if haunted by centuries of hits and flops, the three figures in this Bard on the Beach comedy take jabs at the self-consciousness and shaky footing of being an actor
Lineup also includes an offering from South Korea, an adaptation of The Paper Bag Princess, and a family-friendly drag show
Poetic flourishes and strong characterizations bring compelling charge to imagined story of Shakespeare and the woman who inspired and challenged him
Comedy with Charlie Demers and Jacob Samuel and a remount of Wakey, Wakey are some of the offerings onstage before renovations and a time of internal review in 2026
More mainstage offerings include love story Gertrude & Alice, video-game-style production 2021, and solo show Danceboy
Facilitated conversations with directors take place before matinee showings of four Bard on the Beach productions this season
Core elements of this audience favourite remain in a production full of touches that feel unmistakably contemporary
Vancouver’s Neworld Theatre is producing and administering nationwide initiative in search of experienced arts writers who are IBPOC or face other barriers
This year’s event, on from August 7 to 17, also features a standup comedy show by YouTube star Manpreet Singh and all-ages dance workshops
Young cast fuels this new production of the Roald Dahl classic with over-the-top silliness and sheer song-and-dance talent
New production of Jessica B. Hill’s witty play reclaims the lost history of poet Emilia Bassano
From revealing performances to spot-on costumes and sets, this new production conjures all the atmosphere of the play’s old London home
Western Gold Theatre fundraiser features the U.K.–born Canadian artist in an intimate, informal setting
In Bard on the Beach’s new production, retro pastels and power suits map surprisingly well onto the chaos of Shakespeare’s sometimes troublesome original
Neworld Theatre in collaboration and SFU’s School for the Contemporary Arts humanizes the issue by drawing on real, lived memories of fires, floods, and heat waves
With audiences sworn to secrecy over a decades-long run, the mystery at the heart of author’s most famous whodunit endures
With modernized touches and strong performances, this adaptation renews the wit and scheming of Shakespeare’s classic comedy
Rachel Drance’s poignant performance mixes well with choreographic and design innovations in new rendition of musical at the Stanley
Sean Bayntun and Eliza De Castro sound off on bringing to life the bold characters of Charlie and the Chocolate Factory and Legally Blonde: The Musical
Kat Sandler’s Wildwoman and Axis Theatre’s Where Have All the Buffalo Gone? round out the stage offerings
The first female published poet in England interacts with Shakespeare in Jessica B. Hill’s witty, complex love story