Elf: The Musical kicks off the holiday musical season, at the Stanley Industrial Alliance Stage, to December 31
Actor Andrew McNee plays the beloved cotton-headed ninny muggins in the Arts Club production

Elf: The Musical. Photo by David Cooper
Elf: The Musical runs until December 31 at the Stanley Industrial Alliance Stage
SON OF A NUTCRACKER! Elf: The Musical is here, with the Arts Club Theatre Company’s seasonal performance now running straight through the holidays.
If watching the New Line Cinema film written by David Berenbaum is a festive tradition in your home, you know classic lines like “This is Buddy; What’s your favourite colour?”, “Smiling’s my favourite!”, and “We elves try to stick to the four main food groups: candy, candy canes, candy corns, and syrup.”
Played by East Van Panto and Bard on the Beach favourite Andrew McNee, Buddy identifies as an elf, despite his oversized stature and the challenges he faces making toys. Once he learns that, in fact, he’s human and that his biological father lives in New York City, Santa (Tom Pickett) gives him permission to leave the North Pole and head to the Big Apple. He declares his love for his dad, Walter (Andrew Wheeler), even though his pops is on the naughty list, and eventually connects with his half-brother, Michael (Rickie Wang). And of course he falls in love, with a seasonal department-store worker named Jovie who has to dress like an elf and sings a mean carol (Eva Tavares ). (“So... Do you want to eat food?”)
Elf: The Musical is based on the book by Thomas Meehan and Bob Martin, after the beloved 2003 film, with music by Matthew Sklar and lyrics by Chad Beguelin. Catchy songs span the jazzy “Nobody Cares About Santa” and the ballad “I’ll Believe in You”. The musical has played to packed houses at theatres from London’s West End to Broadway, but this is the first time Vancouverites will get the chance to see it.
The Arts Club’s production features 19 cast members, including understudies, a 10-person children’s chorus, and eight musicians. Making up the musical ensemble are conductor Ken Cormier, Angus Kellett, Sasha Niechoda on keyboards; Martin Fisk on drums and percussion; trumpeter Henry Christian; Ingrid Stitt (reeds), trombonist Jim Hopson; and Ellen Marple (substitute trombone).
Special dates include Sunday Salon on November 12; Talkback Tuesday on November 21; and VocalEye Performances on December 3 and 8.
As Buddy would say, “Treat every day like Christmas.”.
Gail Johnson is cofounder and associate editor of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
As if haunted by centuries of hits and flops, the three figures in this Bard on the Beach comedy take jabs at the self-consciousness and shaky footing of being an actor
Lineup also includes an offering from South Korea, an adaptation of The Paper Bag Princess, and a family-friendly drag show
Poetic flourishes and strong characterizations bring compelling charge to imagined story of Shakespeare and the woman who inspired and challenged him
Comedy with Charlie Demers and Jacob Samuel and a remount of Wakey, Wakey are some of the offerings onstage before renovations and a time of internal review in 2026
More mainstage offerings include love story Gertrude & Alice, video-game-style production 2021, and solo show Danceboy
Facilitated conversations with directors take place before matinee showings of four Bard on the Beach productions this season
Core elements of this audience favourite remain in a production full of touches that feel unmistakably contemporary
Vancouver’s Neworld Theatre is producing and administering nationwide initiative in search of experienced arts writers who are IBPOC or face other barriers
This year’s event, on from August 7 to 17, also features a standup comedy show by YouTube star Manpreet Singh and all-ages dance workshops
Young cast fuels this new production of the Roald Dahl classic with over-the-top silliness and sheer song-and-dance talent
New production of Jessica B. Hill’s witty play reclaims the lost history of poet Emilia Bassano
From revealing performances to spot-on costumes and sets, this new production conjures all the atmosphere of the play’s old London home
Western Gold Theatre fundraiser features the U.K.–born Canadian artist in an intimate, informal setting
In Bard on the Beach’s new production, retro pastels and power suits map surprisingly well onto the chaos of Shakespeare’s sometimes troublesome original
Neworld Theatre in collaboration and SFU’s School for the Contemporary Arts humanizes the issue by drawing on real, lived memories of fires, floods, and heat waves
With audiences sworn to secrecy over a decades-long run, the mystery at the heart of author’s most famous whodunit endures
With modernized touches and strong performances, this adaptation renews the wit and scheming of Shakespeare’s classic comedy
Rachel Drance’s poignant performance mixes well with choreographic and design innovations in new rendition of musical at the Stanley
Sean Bayntun and Eliza De Castro sound off on bringing to life the bold characters of Charlie and the Chocolate Factory and Legally Blonde: The Musical
Kat Sandler’s Wildwoman and Axis Theatre’s Where Have All the Buffalo Gone? round out the stage offerings
The first female published poet in England interacts with Shakespeare in Jessica B. Hill’s witty, complex love story
Designer Carmen Alatorre draws on old photos, film stills, and her own pastel-hued memories for Shakespearean comedy’s retro setting
An energized live band accompanies the new rock musical, but the songs don’t always serve the storytelling
Creator of Arts Club hits like A Closer Walk With Patsy Cline, Red Rock Diner, and the Stanley-opening Swing passed away at 87
Johnna Wright directs the idyllic, Mediterranean-set Shakespeare play that revolves around two vastly different couples
Vancouver-raised performer pours her heart and soul into hit Arts Club musical about women supporting one another and the healing power of pies
Directed by Mark Chavez, a rotating cast of hilarious theatre artists act out all of the Bard’s comedies, histories, tragedies, and sonnets
Documentary-style production creates call to action by integrating lived experience of climate disaster into an innovative hybrid of theatre and journalism
The overall effect is a bit like Zoolander crashing into a circus sideshow with an apple cart full of gaudy fabric
Multimedia rink show gets its glide on when it mixes surreal imagery with innovative skating and high-flying choreography