Anthony Shim's award-winning BC film Riceboy Sleeps opens wide March 17
As the Vancouver filmmaker told Stir last fall, the affecting mother-son story explores two generations’ experiences of cultural challenges

Riceboy Sleeps.
Riceboy Sleeps opens March 17 at Fifth Avenue Cinemas
IF YOU MISSED the affecting, Lower Mainland-set Riceboy Sleeps at VIFF (where it won a best Canadian film prize) last fall, the movie by Vancouver filmmaker Anthony Shim is finally getting its wide release.
It also has some new awards to its name, including the Vancouver Critics’ Circle top BC film and director prize; the Palm Springs International Film Festival Young Cineastes Award, grand jury and audience favourite at Seattle Asian American Film Festival,
The movie tells the moving story of a Korean mother struggling to raise a son alone in Canada. Shim, who wrote and directed the beautifully shot work, shows how external hardships can strain a mother’s relationship with her child, but also reinforce their bond. In the movie, So-young has been forced to leave Korea after having a baby out of wedlock and the death of Dong-hyun’s biological father. But in Canada, she lives an isolated existence, between factory work and trying to raise a son who’s having trouble fitting in—both of them constantly confronting the subtle and not-so-subtle racism that pervades 1990s suburbia, where the film is set. South Korea’s Choi Seung-yoon employs moving restraint in her revelatory performance as the strong and stoic mother
“The main thing that I was really wanting to explore was generational trauma and undealt-with grief, showing that these two people from two different generations are dealing with the same immediate challenges as immigrants—the cultural and racial challenges,” Shim told Stir last fall, during VIFFr. “How are they able to navigate that all? Ultimately they are really dealing with the same issues.”
Though much of the film was shot here, it builds to a return to South Korea—centering on a home that, incredibly, dates back 13 generations in Shim’s family.
Riceboy Sleeps speaks affectingly to the immigrant experience, but ends up being moving no matter where you come from, as a highly relatable mother-son story.
Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Through its mix of Indigenous artists, musicians, and technicians, the Vancouver Latin American Film Festival feature puts the common good at the centre
Ido Fluk’s ode to Keith Jarrett concert Köln 75 closes the fest, while VIFF Live brings in Mad Professor, claire rousay, and more
The Polygon Gallery’s annual outdoor film series takes place on Cates Deck
Visions Ouest screens earthy charmer set in Jura agricultural region
In documenting years of official disapproval and meddling, independent Cuban filmmakers Miguel Coyula and Lynn Cruz set out to trouble viewers of all political stripes
Award-winning feature film tells the story of two Indigenous women who meet during a chance encounter
People-pleasing goes haywire as Visions Ouest presents the sequel to the hit Quebec comedy Menteur
Opening with The Best Mother in the World, the fest features diverse titles as part of Vanguardias, Migraciones, and Mexico Today
Local documentary A Place Where I Belong makes world premiere, while Starwalker musical movie makes its Vancouver debut
As part of VIFF Live series, a performance by all-star jazz ensemble Triology sets up screening of two films powered by music of a Canadian legend
Visions Ouest presents the Cannes opener about a star chef who reconnects with her earthy, truck-stop roots
Street cameras capture the hope and art of young protesters in Khartoum in a revolution the world forgot
NFB’s “Corpus and the Wandering” and “Inkwo for When the Starving Return” take a spotlight at international conference hosted in Vancouver
Radu Jude’s Dracula, Mary Bronstein’s If I Had Legs I’d Kick You, and Hong Sang-soo’s What Does That Nature Say to You are among offerings unveiled as Artist & Industry Passes set to go on sale
Documentary screening at VIFF Centre uncovers a driven artist, and immerses viewer in an art scene that included Jean-Michel Basquiat and Keith Haring
Other free screenings in store this month include The Wild Robot, Raiders of the Lost Ark, and Mean Girls
Running September 4 to 14, celebration also includes Canada Looks South and Mexico Today series, New Directors Competition, and much more
The big-city sins of Sweet Smell of Success mingle with the small-town nightmares of Moonrise in this year’s darkly adventurous lineup
Documentary restores more than a hundred shorts by the legendary Lumière Brothers, in Visions Ouest presentation
Copresented with Visions Ouest, new comedy mixes unvarnished look at alcoholism with desert adventure
Created by Vancouver’s Shana Myara, docuseries available for streaming on OUTtv.com highlights racialized and queer comedians
Filmmaker Mahdi Fleifel’s compelling portrait of two Palestinian refugees trying to escape hardscrabble limbo in an unrecognizable Athens
In Virginia Tangvald’s haunting new NFB documentary, she unravels the mysteries of a father and brother who lost their lives to the oceans that called them
At VIFF Centre, Petra Costa’s compelling new documentary ties the rise of right-wing politician Jair Bolsonaro into the boom in Christian fundamentalism
Titles in store span Green Snake on opening night and a special co-presentation of Once Upon a Time in China II with the Chinese Canadian Museum
Five short films take on deeper meaning against a backdrop of armed conflict and women’s rights struggles
With highlights such as “Space Oddity” and “Moonage Daydream”, the 1970s documentary about one of David Bowie’s greatest shows lights up The Polygon Gallery’s series of starlight screenings
Jules Arita Koostachin’s feature, set in the 1930s, centres a young pregnant woman who discovers she is of Cree ancestry
Put away your degraded VHS dub and celebrate: the 1977 story of dying, drug-addled Montreal counterculture soon screens at the Cinematheque
Film gives a front-row view of complex fight to protect old-growth forests, in largest act of disobedience in Canadian history