Jack Campbell's Sounding Bombe: Enigma Project draws on historic decoders, April 11 at Gallery 881
Science meets history in Vancouver violinist’s 50-minute piece of music for violin and found-sound

Jack Campbell. Photo by SD Holman
Sounding Bombe: Enigma Project is at Gallery 881 on April 11
FIRST, AS SO SUITS the music of Jack Campbell, a quick history lesson: The Enigma machine is an early-20th-century cipher device that Nazis employed extensively during the Second World War. Basically, it works via an electromechanical rotor mechanism that scrambles the letters of the alphabet.
The Bombe machine, on the other hand, was an electromechanical device that British cryptologists used to help decipher German Enigma-encrypted messages during the war.
And now Vancouver violinist Campbell has created music based on the mathematical calculations that the Allies famously used to crack the Enigma code.
Sounding Bombe: Enigma Project, a 50-minute piece of music for violin and found-sound, is the accumulation of five years of study and was written in collaboration with the National Museum of Computing in Bletchley, U.K. Think beautiful music meeting math, science, and history, plus, as Campbell has put it, “the human spirit’s resistance of evil and tyranny”.
On an even more complex level, the long-term project marks the intertwining of electromechanical computation and electro-acoustic composition. As Campbell has described in his notes for this week’s concert at Gallery 881, “you will slowly hear this encryption unravelled by the musical bombe, until at the end of the piece, we are left with the simple musical melody that was originally encrypted.” We won’t reveal what that melody is here; suffice it to say it was the favourite song of Alan Turing’s—the English mathematician and computer scientist who helped crack the Enigma code, of course. And did we mention that Turing was also a violinist?
Note that Campbell has adjusted the rotors, plugboard, and other encryption devices of the Enigma machine to the exact historical settings of October 18, 1944. In a further layer, Campbell says the musical form of this piece is that of an Agnus Dei‚ an ancient musical form that also happens to be the codename of the first Bombe machine.
The show here is part of a Canadian and U.K. tour. Vancouver company Belle Spirale Dance Projects will also join Campbell for the U.K. leg.
Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Company’s first full-scale production is presented as part of The Chee Series
Mount Pleasant Park performers include M’Girl, the 240 Northern Percussion Ensemble, and pianists Bogdan Dulu and Forest Benson
As part of VIFF Live series, a performance by all-star jazz ensemble Triology sets up screening of two films powered by music of a Canadian legend
More offerings include tributes to the Beatles and Lucinda Williams, Chet Doxas w/ CapU Jazz Ensembles, and Gord Grdina’s Ru’ya
This year’s lineup features bold birthday tributes, not only to groundbreaking artists such as Samuel Coleridge-Taylor, but also to the festival itself
Performers at Trout Lake Park include Sam Chimes, Siobhan Barker, and Ashley Chodat
Music on Main presentation also features renowned English tenor soloist Charles Daniels
Vancouver team that includes Ne.Sans Opera and Dance reimagines the clown in Schoenberg's Pierrot lunaire at Festival d’opéra de Québec
Early Music Vancouver Summer Festival and the Sound of Dragon Society join forces to play on Chinese-European musical exchange that is centuries old
Taiko artists Noriko Kobayashi and E. Kage reflect on punk-rock roots and gender expression
Early Music Vancouver Summer Festival’s artist-in-residence interprets Bach, Schubert, and Mozart—and hosts a panel on how to bring environmentally sound practices to performing arts
Offerings include a Christmas concert with emerging artists, a climate change–centred program, and the triennial Tapestry International Festival
Early Music Vancouver Summer Festival concert coincides with the release of a new CD
Among the other highlights are the annual Christmas With the Bach Choir, Behind the Keys, and SpringSong
Tio Chorinho and Flávia Nascimento’s vibrant Brazilian rhythms, Shpilkis’s brass-driven klezmer, Julian Taylor’s soulful voice, and more
From an indie garage-pop concert by Twin River to a plant pot–decorating workshop, here are just a few of the free offerings in store
Vancouver-based Drew Tarves takes his music out of the bedroom and across the country
Ontario-based aficionados of vintage gear and saucy slang bring Prohibition-era daring to this year’s event
Ahead of her Vancouver Folk Music Festival sets, the award-winning singer-songwriter reflects on the power of performing in her Nation’s language and representing her community
Headlining at this year’s Vancouver Folk Music Festival, the electrifying Marrakesh-born outfit plugs in traditional instruments and rocks out
Free events will take place in seven Vancouver parks from August 6 to 16
Event’s artistic director recommends under-the-radar discoveries, from Tanzanian polyphony to a smashing trad Irish trio
Performances take place Thursdays at 5 pm, featuring co-presentations with Indian Summer Festival, Vancouver Folk Music Festival, and more
The premiere of a Dorothy Chang composition and a guest appearance by harpist Rita Costanzi are among the highlights
At this year’s Indian Summer Festival, the sarod virtuoso draws on generations of musical mastery to create improvisations that reflect everything from audience response to the time of day
Bassist-vocalist will be joined by a special group of musicians to play tracks off her past albums and forthcoming project
Music director Jacques Lacombe leads the Vancouver Opera Orchestra in an evening of Italian arias and duets
Audience members will hear tracks off her latest album Odyssey, which honours her reignited love for composing
Performance of the legendary work features the Pacific Baroque Orchestra, Vancouver Cantata Singers, and four vocal soloists
Marking 400 years since the death of Ōmori Sōkun, shakuhachi master Alcvin Ryūzen Ramos leads a series of programs about an instrument making a quiet return